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Jyun Zih
Hsinyeh
2007
Residential Interior Public Space Design|Landscape Design
Taiwan | Taichung
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Design Director : Ching-Chi, Su
Team:
TSAI,CHUEI-GENG|Chang Yun Shan|Design Leader,Chan Huai En|CHANG,LI-NING
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FRAME/
Try a homogeneous “frame” approach
To get the scene of the park which is located beside the building site
Make a miniascape for the city which is located in a large cross mental frame
Using the separation of water to make an “air wall” for the community
The artworks made by the artist has the same topic ---‘frame’
Finally ,the space of design itself has also becoming a part of the external frame
Award Record
2010|
Selected in the Public Space category at the Taiwan Interior Design Awards (TID).




Homogeneous "Frame"/
The designer attempts to utilize a homogeneous "frame" technique to bring the adjacent park into the interior of the building site. This approach not only extends the physical space but also opens up psychological space. The use of this "frame" aims to blur the boundaries between indoors and outdoors, allowing residents to experience the essence of nature and vitality in their daily lives. Through this design, the interior space is no longer closed off; instead, it forms a close connection with the surrounding environment.
Urban Water Basin Frame/
In front of the site, the designer employs a large-span metal structure to create an urban water basin frame. This framing not only possesses visual appeal but also serves as a functional extension. The reflective and refractive properties of water give this frame a dynamic appearance under different lighting conditions, providing residents with a lively visual experience. The water’s capacity to act as a barrier plays an essential role, forming an "air wall" for the community that physically divides the space while maintaining visual openness, allowing people to feel the presence of the external world.
Framework of Artistic Installations/
Additionally, the design incorporates urban installation art created by artists, which also revolves around the theme of "frames." The presence of these installations not only enhances the artistic atmosphere but also makes the space itself a part of the external view. As people wander through the space, they are not merely spectators; they become participants in the artworks, able to experience the joy of interaction between framing and being framed. This dynamic interaction enriches spatial perception, enabling individuals to continually rediscover and reinterpret their surroundings in everyday life.
Conclusion/
This design fully leverages the concept of "frames," creating a multidimensional spatial experience. Here, the frame is not just a physical structure; it represents a way of thinking that allows people to effortlessly traverse between the interior and the exterior, experiencing the diversity and richness of life. Through the integration of homogeneous "frame" techniques, urban water basin framing, and artistic installations, this space becomes not only a place for living but also a stage for exploration and discovery, inspiring creativity and imagination in those who inhabit it.














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